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toassurethefurthersafetyoftherooftheysupportedtheribs
oftheroofbysocalled‘‘flyingbuttresses；averysile
thodofnstructionandatoncewhen
youlookatourpicture
thisneethodofnstructionalloheintroduction
ofenorushethcentury；glassill
anexpensivecuriosity；andveryfeebuildingspossessed
glasshecastlesofthenobleswere
houtprotectionandthisacuntsfortheetealdrafts
andexplainshatdayworefursindoorsas
fortunately；theartofkinglouredglass；hh
theanediterraneanhadbeenfaliar；
hadnotbeenentirelylostthereained
glasskingandsoonthehegothicchurches
toldthestoriesoftheholybookinlittlebitsofbrilliantly
louredework
oflead
behold；therefore；thenewandglorioushouseofgod；
filledultitude；‘‘livingitsreligionasnopeople
haveeverdoneeitherbeforeorsincenothingisnsidered
toogoodortoostlyortoohishouseofgod
andhoofnthesculptors；hedestruction
oftheroneirehavebeenoutofeloynt；haltingly
retutotheiobleartportalsandpillarsandbuttresses
andicesareallveredagesofourlord
andtheblessedsaintstheeroidererstooaresettowork
toketapestriesfortheheir
highestartthattheshrineofthealtarybeplete
adorationeventhepainterdoeshisbestpoo；
heisgreatlyhandiediu
andtherebyhangsastory
theronsoftheearlychristianperiodhadveredthe
floorsandtheplesandhousesosaics；
picturesdeoflouredbitsofglassbutthisarthadbeen
exceedinglydifficultitgavethepainteochancetoexpress
allheedtosay；asallchildrenknoriedto
kefiguresoutoflouredblocksofof
saicpaintingthereforediedoutduringthelat
………………………………
第103节
eddle
agesexceptinrussia；osaicpainters
hadfoundarefugeafterthefallofnstantinopleandntinued
tooanttheheorthodoxchurchesuntil
thedayofthebolsheviki；hereothebuilding
ofchurches
ofurse；thediaevalpainteruldxhisloursh
theeroftheplasteruponthewallsof
thechurchesthisthodofpaintingupon‘‘freshplaster
ing
anycenturiestoday；itisasrare
astheartofpaintingniaturesinnuscriptsandang
thehundredsofartistsofourdecitiesthereisperhaps
oneediuuccessfullybutduringthe
ddleagesthereherheartistswere
‘‘fresethingbetterthethod
hoaingreatdisadvantagesveryoftenthe
plastercaoffthepness
spoiledthepictures；justasdanesshepatte
ofouraginableexpedient
togetathisplasterbaix
theirlourshhhoneyandh
thestickyethodsisfactory
forrethanathousandyearstheseexperints
ntinuedinpaintingpientleaves
ofnuscriptsthediaevalartists
etoveringlargespacesofoneh
paintick；theydidnotsucceedverywell
atlast；duringthefirsthalfofthefifteenthcentury；the
probleesoutheherlandsbyjanand
hubertvaneyishbrothersxedtheir
painttouse
oneoranythingelseasabackgroundfor
theirpictures
butbythistithereligiousardouroftheearlyddle
ageshingofthepasttherichburghersofthecities
hebishopsaspatronsoftheartsandas
artinvariablyfollohefulldinnerpail；theartistsnowbegan
toployersandpaintedpicturesfor
kings；forgranddukesandforrichbankershinavery
shortti；theneethodofpaintinghoilspreadthrough
europeandineveryuntrytheredevelopedaschoolof
specialpaintinghecharacteristictastesofthe
peoplefortheseportraitsandlandscapesade
inspain；forexale；velasquezpaintedurtdwarfs
andtheheroyaltapestryfactories；andallsorts
ofpersonsandsubjectsnnectedhthekingandhisurt
butinholland；rerandtandfranshalsandverer
paintedthebayardoftherchantshouse；andtheypainted
hisratherdoptiouschildren
andtheshipshishinitalyon
theotherhand；ainedthelargestpatron
ofthearts；chelangeloandrreggiontinuedtopaint
donnasandsaints；hearistocracy
he
kingshadbeeupperstinthestate；theartistspainted
distinguishedgentleneersofthegovent；
andverylovelyladiesajesty
thegreatchangeinpainting；eabouththe
neglectoftheoldchurchandtheriseofaney；
sofarttheinventionofprinting
haddeitpossibleforauthorstoeandreputation
byultitudesinthiswayarose
theprofessionofthenovelistandtheillustratorbutthe
peopleoneyenoughtobuythene
thesorteofnights；lookingattheceiling
orjustsittingtheyusedthefeinstrels
oftheddleagesandfor
entertainntforthefirsttisincetheearlygreekcity
statesofthousandyearsbefore；theprofessionalplay
hadaiddleageshad
knoerelyaspartofcertainchurchcelebrations
thetragediesofthethirteenthandfourteenthcenturies
hadtoldthestoryofthesufferingofourlordbut
duringthesixteenthcenturytheadeits
reappearanceitistruethat；atfirst；thepositionofthe
professionalplayandactoraveryhighone
shakespeareofcircusfellow
usedhisneighboursedies
butheyear1616hehadbeguntoenjoythe
respectofhisneighboursandactorss
ofpolicesupervision
snteorary；lopedevega；theincredible
spaniardenolessthan1800worldlyand400religious
plays；hepapalapproval
uponhisan；
edpanionshipofnoneless
thankinglouisxiv
sincethen；thetheatrehasenjoyedaneverincreasing
affectiononthepartofthepeopletodaya‘‘theatreispart
ofeveryaofthe
vieshasperatedtothetiniestofourprairiehaets
anotherart；hoethestpopularof
allthatusisdendeda
greatdealoftechnicalskillittakesyearsandyearsofpractice
beforeourandsof
thebrainandreproduarble
ittakesalifetitoleahooactorhooeagood
novelandittakesagreatdealoftrainingonthepartofthe
publictoappreciatethebestinpaintingandingand
sculpturebutalstanyone；notentirelytonedeaf；can
folloosteverybodyentoutof
sosortofsictheddleageshadheardalittlesic
butithadbeenentirelythesifthechurchtheholy
chantsandhay
andsoonthesebecanotonousbesides；theyuldnot
arketplace
therenaissane
intoitsoan；bothinhishappinessand
inhissorrows
theegyptiansandthebabyloniansandtheancientjews
hadallbeengreatloversofsictheyhadevenbined
different