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hiboxoflouredchalksandeveryloosebitofpaperis
rapidlyveredhstrangepothooksandscra
housesandhorsesandterriblenavalbattles
soonhoakingthings
estoanendschoolbeginsandthegreaterpartofthe
dayisfilleduphher
thebusinessof‘‘kingaliving；beesthestiortant
eventinthelifeofeveryboyandgirlthereislittletileft
for‘‘artbetultiplicationandthe
pastparticiplesoftheirregularfrenchverbsandunless
thedesireforkingerepleasureof
creatingtheoutanyhopeofapracticalretubevery
strong；thechildgroanhoodandforgetsthatthe
firstfiveyearsofhislifeainlydevotedtoart
nationsarenotdifferentfrohildrenassoonasthe
cavenhadescapedthethreateningdangersofthelongand
shiveringiceperiod；andhadputhishouseinorder；hebegan
tokecertainthingshoughtbeautiful；although
theyinhisfighththewild
anilsofthejungleheveredthetoh
picturesoftheelephantsandthedeered；and
outofapieceofstone；hehackedtheroughfiguresofthose
enhethoughtstattractive
assoonastheegyptiansandthebabyloniansandthe
persiansandalltheotherpeopleoftheeasthadfounded
theirlittleuntriesalongthenileandtheeuphrates；they
begantobuildgnificentpalacesfortheirkings；invented
brightpiecesofjeenandplantedgardens
anybrightflowers
ouroadsfrohedistant
asiaticprairies；enjoyingafreeandeasyexistenceas
fightersandhunters；posedsongsedthe
ghtydeedsoftheirgreatleadersandinventedaforf
poetryilourohousandyears
later；selvesonthegreekinland；
andhadbuilttheir‘‘citystates；theyexpressedtheir
joyandtheirsorroagnificentteles；instatues；in
ediesandintragedies；andineverynof
art
therons；liketheircarthaginianrivals；oobusy
adnisteringotherpeopleandkingneytohavech
lovefor‘‘uselessandunprofitableadventuresofthespirit
theynqueredtheroadsandbridgesbutthey
borrothegreekstheyinvented
sofarchitecturehe
dendsoftheirdayandagebuttheirstatuesandtheirhistories
andtheirsaiserelatini
tationsofgreekoriginalshoutthatvagueandhardto
definesothinghey；therecan
benoartandtheronrustedthatparticularsort
ofpersonalitytheeireneededefficientsoldiersand
tradesnthebusinessofakingpictures
toforeigners
thencathedarkagesthebarbarianheproverbial
bullinthechinashopofeeuropehehadnouse
forsoftheyear
1921；helikedthegazineversofprettyladies；butthrew
thererandtetchingsedintotheash
etoleabetterthenhetriedtoundothe
dageedafetheash
canshepictures
butbythisti；hiso；h
hiroheeast；haddevelopedintosothingverybeautiful
andhedeupforhispastneglectandindifferencebytheso
iddleagesheeurope
isnceedanicndandhad
borrothegreeksandthelatinsandnothing
atallfroheolderforofartofegyptandassyria；not
tospeakofindiaandchina；plydidnotexist；asfar
asthepeopleofthattionceedindeed；s
………………………………
第102节
olittle
hadthenortheracesbeeninfluencedbytheirsoutheneighbours
thattheiropletely
sunderstoodbythepeopleofitalyandreatedby
thetigatedntet
youhaveallheardthehicyouprobablyassociate
iththepictureofalovelyoldcathedral；liftingitsslender
spirestodoesthewordreally
an
itanssothing‘‘unuthand‘‘barbaricsothing
ightexpectfron‘‘uncivilisedgoth；arough
backanfortheestablishedrulesof
classicalartandodehorrorstopleasehis
oplesof
theforundtheacropolis
andyetforseveralofgothicarchitecture
hehighestexpressionofthesincerefeelingforart
aprevious
berhoiddle
ageslivedunlesstheysanddinvillages；
theye
foratribeandindeed；behindtheirhighheirdeep
ats；thesegoodburghersenwhoshared
thendangersandenjoyedthensafetyandprosperity
theirsysteftualprotection
intheoldgreekandroncitiestherketplace；where
thetelestood；hadbeenthecentreofciviclifeduring
theddleages；theesucha
centreodeprotestantpeople；oourchurch
onlyonceahenforafewhoursonly；hardlyknow
ediaevalunitythen；before
youakentothechurchtobe
baptisedasachild；youvisitedthechurchtoleatheholy
storiesoftheseaer
ofthengregation；andifyou
yourselfaseparatelittleeryofthe
patronsaintofyouroilyasforthesacrededifice；
itanyofthenightin
acertainsenseitreseledadeclub；dedicatedtoallthe
inhabitantsofthetohechurchyouverylikelycaught
afirstgliseofthegirleyourbrideata
greatcerenybeforethehighaltarandfinally；he
endofthejoueyhade；youhthe
stonesofthisfaliarbuilding；thatallyourchildrenandtheir
grandchildrenghtpassoveryourgraveuntilthedayof
judgent
becausethechurchonlythehouseofgodbut
alsothetrueonlife；thebuildinghadtobe
differentfronythingthathadeverbeennstructedby
thehandsofnthetelesoftheegyptiansandthe
greeksandtheronshadbeenrelytheshrineofalocal
divinityasnosesagesof
osirisorzeusorjupiter；itnecessarythattheinterior
offerspaultitudeallthereligiousprocessions
oftheoldditerraneanpeoplestookplaceintheopenbut
inthenorth；heherwasusuallybad；
stfunctionsheroofofthechurch
duringnycenturiesthearchitectsstruggledh
thisproblefnstructingabuildingthatwaslarge
enoughtherontraditiontaughttheoobuildheavy
stoneallthewallslose
theirstrengthonthetopofthistheythenplaceda
heavystoneroofbutinthethcentury；afterthe
beginningofthecrusades；hearchitectshadseenthe
pointedarohaedanbuilders；theebuilders
disveredaheirfirstchancetoke
thesortofbuildinghosedaysofanintensereligious
lifedendedandthentheydevelopedthisstrangestyleupon
ptuousnaof‘‘gothirbarbaric
theyachievedtheirpurposebyinventingavaultedroofh
e
tooheavy；an
ofthreehundredpoundssittingdohildschair
ethisdifficulty；certain
frencharchitectsthenbegantoreenforcetheh
‘‘buttresseserelyheavyssesofstoneagainst
heheysupportedtheroofand
toassurethefurthersafetyoftherooftheysupportedtheribs
oftheroofby