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theegyptiansandthebabyloniansandtheancientjews
hadallbeengreatloversofsictheyhadevenbined
differentinstruntsintoregularorchestrasbutthegreeks
hadfrohisbarbaricforeignnoisetheylikedto
hearanreerandpindar
they
………………………………
第104节
allotoacpanyhielfuponthelyrethe
poorestofallstringedinstruntsthatwasasfarasany
oneuldgohoutincurringtheriskofpopulardisapproval
theronsontheotherhandhadlovedorchestralsicat
theirdinnersandpartiesandtheyhadinventedstofthe
instruntsodifiedforday
theearlychurchhaddespisedthissicackedtoo
chofthebeendestroyed
afeheentirengregationwere
allthebishopsofthethirdandfourthcenturiesolerate
asthengregationtosingdreadfullyoutofkeyhout
theguidanent；thechurchhadafterwardsallowed
theuseofanorgan；aninventionofthesendcenturyofourera
binationoftheoldpipesofpanand
apairofbellows
thenan
siciansetrafiddlersgoing
froitytocityandplayinginthestreet；andbeggingfor
penniesliketheharpistonadeferryboat
buttherevivalofareioninthecities
ofthelateddleageshadusicians
instruntsliketheho；hhadbeenusedonly
assignalinstruntsforhuntingandfighting；odelled
untiltheyuldreproducesoundshe
danaborungh
horsehairoplaytheoldfashionedguitarandbefore
theendoftheddleagesthissixstringedinstrunt
thestanentsesback
toegyptandassyriahadgroodefour
stringedfiddleradivariusandtheotheritalianviolin
kersoftheeighteenthcenturybroughttotheheightofperfection
andfinallythedepianoostwide
spreadofallsicalinstrunts；aninto
thehejungleandtheicefieldsofgreenland
theorganhadbeenthefirstofallkeyedinstruntsbutthe
perforraleone
hebelloricity
thesiciansthereforelookedforahandierandless
intrainingthepupils
ofthenychurchchoirsduringthegreateleventhcentury；
guido；abenedictinenkofthetohe
birthplaodesystebr 》
ofsietiduringthatcentury；when
thereusic；thefirst
instruntust
havesoundedastinklyasoneofthosetinychildrenspianos
everytoyshopinthecityofvienna；
thetousiiddleages
hjugglersandcardsharpshad
fordthefirstseparateguildofsiciansintheyear1288；
thelittlenochordethinghwe
odesteinway
froustriathe‘‘clavichordasithose
daysbecauseithad‘‘cravesorkeystoitalythere
itedintothe‘‘spier
theinventor；giovannispitiofveniceatlastduring
theeighteenthebetween1709and1720；
bartolooadea‘‘clavierhe
perforrtoplaybothloudlyandsoftlyorasitwassaidin
italian；‘‘pianoand‘‘fortethisinstrunthcertain
changesbecaour‘‘pianoforteorpiano
thenforthefirsttithe
instruntasteredinaupleofyears
anddidnotneedtheetealtuningofharpsandfiddlesand
uediaevaltubas；claris；
troonesandoboesjustasthephonographhasgiven
llionsofdepeopletheirfirstloveofsicsodidthe
early‘‘pianoforteuch
epartoftheeducationofeverywell
brednandanprincesandrichrchantsintained
privateorchestrasthesicianceasedtobeawandering
‘‘jongleurandbeunity
siancesof
thetheatreandoutofthispractice；greodeopera
originallyonlyafeheexpenses
ofan‘‘operatroupebutasthetasteforthissortof
entertainntgreanycitiesbuilttheiroheatreswhere
italianandafteranoperasited
joyofthenityhtheexceptionofafew
sectsofverystrictchristiansusich
deepsuspiethingoolovelytobeentirely
goodforthesoul
bytheddleoftheeighteenthcenturythesicallife
ofeuropeeforwarda
npleorganistofthe
thoseofjohannsebastian
ba
ioststatelyofsacred
hysandoratorios；helaidthefoundationforallourde
sicheyear1750heceededby
zart；usicalfabricsofsheerlovelinessh
rendusoflacethathasbeenonyand
rhyththencaludosttragic
ofn；odeorchestra；yetheardnoneof
hisgreatestpositionsbecauseheheresultofa
ldntractedduringhisyearsofpoverty
beethovenlivedthroughtheperiodofthegreatfrench
revolutionfullofhopeforanewandgloriousday；hehad
dediphoniestonapoleonbuthelived
toregretthehourheyear1827；napoleon
enginehadeandhehasoundthat
hadnothinginnsofthethirdsyhony
indeed；theneandironandalandlarge
factorieshadlittleuseforart；forpaintingandsculptureand
poetryandsictheoldprotectorsofthearts；thechurch
andthepriniddleagesandthe
seventeenthandeighteenthcenturiesnolongerexistedthe
leadersofthenerialoobusyandhadtoo
littleeducationtobotheraboutetchingsandsonatasandbits
ofenedthose
things；andnity
………………………………
第105节
in
eninthefactorieslistened
tothedroneoftheirenginesuntiltheytoohadlostalltaste
forthelodyofthefluteorfiddleoftheirpeasantancestry
theartsbecathestepchildrenofthenerialera
artandlifebecaentirelyseparatedeverpaintings
hadbeenleft；useuand
sicbecaanopolyofafeuosiookthe
sicathehoandcarriedittothencerthall
butsteadily；althoughsloingbackinto
theirobrandtand
beethovenandrodinarethetrueprophetsandleadersof
theirraceandthatables
anurseryhoutlaughter
lonialexpansionandwar
achaptertogiveyoua
greatdealofpolitiation
aboutthelastfiftyyears；but
ainsseveralexplanations
andafeologies
ifihadknoitoeahistoryof
theakenthetaskofurse；
anyonepossessedofenoughindustrytolosehielfforhalf
adozenyearsinthestystacksofalibrary；canpilea
ponderoustooftheeventsinevery
landduringeverycenturybutthatthepurposeof
thepresentbookthepublishersedtoprintahistory
thatshouldhaverhythstoryherthan
ostfinishedidisverthat
certainchaptersgallop；thatothershroughthe
drearysandsoflongforgottenagesthatafesdonot
keanyprogressatall；illothersindulgeinaveritable
jazzofaanceididnotlikethisandisuggested
thatanuscriptandbeginonce
refrohebeginningthis；hohepublisherswould
notallow
asthenextbestsolutionofdifficulties；itookthetype
berofcharitablefriendsandaskedtheb