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ple;onyandforbr 》
isnotdirectlyderivedfroertaintypesofchinesecalligraphy
thepositionofchinesecalligraphyinthehistoryoftheisthustruly
uniqueooresubtleandre
responsivethanthepen;calligraphyhasbeenelevatedtothetruelevelofanartona
parhchinesepaintingthechinesearefullyahisheyregard
paintinganding
alstanindividualnebreathshould
therebeaquestionastoheansedlybe
infavourofcalligraphyithasthusbeeanartcultivatedepassion
anddevotion;dignifiedbyasas
paintingitselfitsstandardsarejustasexacting;anditsstershavereachedheights
asunattainablebythenrunofnasthestersinotherlinesthegreat
chinesepainters;liketungchichangandchaongfu;areusuallygreat
engfu12541322;oneofthebestknohinese
painters;saidofhisoing:”rocksarelikethefoipostyleofingh
hollohestrokes;andthetreesarelikethechuanstyleofingh
relativelyevenandtethodofpaintingliesyetintheeight
fundantalstrokesofingifthereisoneandthis;hewill
realisethatthesee”
itseetothatand
position;standsinrelationtopaintingaspuretheticsstandsinrelationto
engineeringorastronoinappreciatingchinesecalligraphy;theaningisentirely
forgotten;andthelinesandforareappreselvesinthis
cultivationandappreciationofpureposition;
therefore;theandentiredevotiontopurefors
such;asapartfrotentapaintinghastonveyanobject;butaten
characteveysonlyitsoyoflineandstructureinthisabsolutelyfree
field;everyvarietyofrhythasbeenexperinteduponandeverytypeofstructure
hasbeenexploredtheientpossible;andthechinesecharacters;heoretically
squarebutareposedfroheoddestelents;presentaninfinitevarietyof
strusustsolveforhielfthus;through
calligraphy;thechinesescholaristrainedtoappreciate;asregardsline;qualitieslike
force;suppleness;reservedstrength;exquisitetendeess;sness;neatness;
ssiveness;ruggedness;andrestraintorfreedoandasregardsforheistaught
toappreciatehay;proportion;ntrast;balance;lengthiness;pactness;and
sotisevenbeautyinslouchinessorirregularitythustheartofcalligraphy
providesasofaestheticappreciationaynsiderasthe
basesofchinesenotionsofbeauty
asthisarthasahistoryofhousandyears;andaseveryertriedto
distinguishhielfbyaneorstructure;therefore;incalligraphy;if
inanything;entofthechineseartisticnd
certaintypes;suchastheyofirregularityorofaforevertoppling
structurethatyetkeepsitsbalance;heeersbytheirfinesse;all
theresobecausesuchtypesarenoteasilyseeninotherfieldsofchineseart
isofsignificancetotheisthefactthat;notonlyhasitprovidedthe
aesthetiisticprincipleaybe
stfruitfulofresultsoodandappliedasstated;chinese
andforandithasdoneso
byderivingitsartistinature;espeals梩
hebranflohafehespringing
bodyoftheleopard;thessivepahetiger;theslegsofthedeer;the
sinerengthofthehorse;
………………………………
第96节
thebushinessofthebear;thesliessofthestork;or
theruggednessofthepinebraninnature
eddirectlyorindirectlythe
inspirationforaparticular”style”ifachinesescholarseesacertainbeautyinadry
vinehitscarelessgraceandelasticstrength;thetipoftheendcurlingupwardand
afeostappropriately;hetriesto
inrporatethatintohisingifanotherscholarseesapireethattsitstrunk
andbendsitsbranchesdoeadofuphshowsawonderful
tenacityandforce;healsotriestoinrporatethatintohisstyleofingwehave
thereforethe”dryvine”styleandthe”pinebranonk
andcalligraphisthadpractisedingforyearshoutresult;andonedaywalking
onauntainpathhechancedupontingsnakes;eachstrainingitsneck;
thisinspirationhedevelopeda
stindividualistictypeofing1;calledthe”fightingsnakes”style;suggestingthe
tensionandoventofthesnakesnecksthushih321379;
sof
igeryfroature:
everyhorizontalstrokeislikeassofation;everyhooklikeabentboahighpeak;every
tuingofthestrokelikeabrasshook;everydralinelikeadryvineofgreat
oldage;andeverysandfreestrokelikearunneronhisstart
onecanunderstandchinesecalligraphyonlyo
thefodrhythnherentineveryanilsbodyandliseveryanilbody
hasahayandbeautyofitsoonyitsvital
funoventthehairylegsandtallbodyofthe
draughthorseareasofbeautyasthereneatlyfordoutlineofthe
raonyexistsintheoutlineofthes;springinggreyhound;as
itexistsalsointhatofthehairyirishterrier;bsendalstin
squarefortions梥trikinglyrepresentedinchinesecalligraphybythebluntlishu
stylecurrentinthehandynastyandelevatedintoanartbytengshihjuofthe
ghingdynasty
theiortantthingtoobserveisthattheseplantandanilforarebeautiful
beoventnsiderasprigofplulossohow
carelesslybeautifulandartfullyirregularitistounderstandthebeautyofthatsprig
fully;artistiisndofchinese
artthesprig;evens;isbeautifulbecauseitlives;
becauseitexpressesalivingiulsetogrolineofeverytreeexpressesa
rhythesultingfroulses;theiulsetogro
topulsetointainitsequilibriuandthenecessityof
resistingtheventofthereeisbeautifulbecauseitsuggeststhese
iulses;andpartienttoewhere;a
stretchingtoethingithasnottriedtobebeautifulithasonlyedtolive
yettheresultissothingperfenselysatisfying
nordoesnatureartificiallyinvestthegreyhoundits
functions:thehigharchofthegreyhoundsbodyandthennectinglinebets
bodyanditshindlegsarebuiltforsness;andtheyarebeautifulbecausethey
suggeststhishaiousfunergesahaiousfor
thesoftnessoftheentsresultsinthesoftnessofitsntourandeven
thejoggedsquattingoutlineofabulldoghasabeautyofforcedlitsohe
explanationofnaturesinfiniterichness》fpattes;onious》
alic
thein;adistinguishedscholarhis
usnote
thateveryaderapidlyinantrollingrhihhvti
�tv玸c;t玦;:rr~~elyvariablehouteverexhausting
itsforinotheric;andnotastatic;beauty
itisexaoventiicbeauty;abeauty
ofntuitlives;andit;too;isinfinitelyvariablehoutexhaustionas;
surestrokeisappreciatedbecauseitisdeslyandpoonestroke;thus
possessingaunityofvent;defyingitationorrrection;foranyrrectionis
iediatelydetectedasdishaiousincidenta