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吾国与吾民-My Country and My people(英文版)-第65章

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    ple;onyandforbr 》

    isnotdirectlyderivedfroertaintypesofchinesecalligraphy

    thepositionofchinesecalligraphyinthehistoryoftheisthustruly

    uniqueooresubtleandre

    responsivethanthepen;calligraphyhasbeenelevatedtothetruelevelofanartona

    parhchinesepaintingthechinesearefullyahisheyregard

    paintinganding

    alstanindividualnebreathshould

    therebeaquestionastoheansedlybe

    infavourofcalligraphyithasthusbeeanartcultivatedepassion

    anddevotion;dignifiedbyasas

    paintingitselfitsstandardsarejustasexacting;anditsstershavereachedheights

    asunattainablebythenrunofnasthestersinotherlinesthegreat

    chinesepainters;liketungchichangandchaongfu;areusuallygreat

    engfu12541322;oneofthebestknohinese

    painters;saidofhisoing:”rocksarelikethefoipostyleofingh

    hollohestrokes;andthetreesarelikethechuanstyleofingh

    relativelyevenandtethodofpaintingliesyetintheeight

    fundantalstrokesofingifthereisoneandthis;hewill

    realisethatthesee”

    itseetothatand

    position;standsinrelationtopaintingaspuretheticsstandsinrelationto

    engineeringorastronoinappreciatingchinesecalligraphy;theaningisentirely

    forgotten;andthelinesandforareappreselvesinthis

    cultivationandappreciationofpureposition;

    therefore;theandentiredevotiontopurefors

    such;asapartfrotentapaintinghastonveyanobject;butaten

    characteveysonlyitsoyoflineandstructureinthisabsolutelyfree

    field;everyvarietyofrhythasbeenexperinteduponandeverytypeofstructure

    hasbeenexploredtheientpossible;andthechinesecharacters;heoretically

    squarebutareposedfroheoddestelents;presentaninfinitevarietyof

    strusustsolveforhielfthus;through

    calligraphy;thechinesescholaristrainedtoappreciate;asregardsline;qualitieslike

    force;suppleness;reservedstrength;exquisitetendeess;sness;neatness;

    ssiveness;ruggedness;andrestraintorfreedoandasregardsforheistaught

    toappreciatehay;proportion;ntrast;balance;lengthiness;pactness;and

    sotisevenbeautyinslouchinessorirregularitythustheartofcalligraphy

    providesasofaestheticappreciationaynsiderasthe

    basesofchinesenotionsofbeauty

    asthisarthasahistoryofhousandyears;andaseveryertriedto

    distinguishhielfbyaneorstructure;therefore;incalligraphy;if

    inanything;entofthechineseartisticnd

    certaintypes;suchastheyofirregularityorofaforevertoppling

    structurethatyetkeepsitsbalance;heeersbytheirfinesse;all

    theresobecausesuchtypesarenoteasilyseeninotherfieldsofchineseart

    isofsignificancetotheisthefactthat;notonlyhasitprovidedthe

    aesthetiisticprincipleaybe

    stfruitfulofresultsoodandappliedasstated;chinese

    andforandithasdoneso

    byderivingitsartistinature;espeals梩

    hebranflohafehespringing

    bodyoftheleopard;thessivepahetiger;theslegsofthedeer;the

    sinerengthofthehorse;
………………………………

第96节

    thebushinessofthebear;thesliessofthestork;or

    theruggednessofthepinebraninnature

    eddirectlyorindirectlythe

    inspirationforaparticular”style”ifachinesescholarseesacertainbeautyinadry

    vinehitscarelessgraceandelasticstrength;thetipoftheendcurlingupwardand

    afeostappropriately;hetriesto

    inrporatethatintohisingifanotherscholarseesapireethattsitstrunk

    andbendsitsbranchesdoeadofuphshowsawonderful

    tenacityandforce;healsotriestoinrporatethatintohisstyleofingwehave

    thereforethe”dryvine”styleandthe”pinebranonk

    andcalligraphisthadpractisedingforyearshoutresult;andonedaywalking

    onauntainpathhechancedupontingsnakes;eachstrainingitsneck;

    thisinspirationhedevelopeda

    stindividualistictypeofing1;calledthe”fightingsnakes”style;suggestingthe

    tensionandoventofthesnakesnecksthushih321379;

    sof

    igeryfroature:

    everyhorizontalstrokeislikeassofation;everyhooklikeabentboahighpeak;every

    tuingofthestrokelikeabrasshook;everydralinelikeadryvineofgreat

    oldage;andeverysandfreestrokelikearunneronhisstart

    onecanunderstandchinesecalligraphyonlyo

    thefodrhythnherentineveryanilsbodyandliseveryanilbody

    hasahayandbeautyofitsoonyitsvital

    funoventthehairylegsandtallbodyofthe

    draughthorseareasofbeautyasthereneatlyfordoutlineofthe

    raonyexistsintheoutlineofthes;springinggreyhound;as

    itexistsalsointhatofthehairyirishterrier;bsendalstin

    squarefortions梥trikinglyrepresentedinchinesecalligraphybythebluntlishu

    stylecurrentinthehandynastyandelevatedintoanartbytengshihjuofthe

    ghingdynasty

    theiortantthingtoobserveisthattheseplantandanilforarebeautiful

    beoventnsiderasprigofplulossohow

    carelesslybeautifulandartfullyirregularitistounderstandthebeautyofthatsprig

    fully;artistiisndofchinese

    artthesprig;evens;isbeautifulbecauseitlives;

    becauseitexpressesalivingiulsetogrolineofeverytreeexpressesa

    rhythesultingfroulses;theiulsetogro

    topulsetointainitsequilibriuandthenecessityof

    resistingtheventofthereeisbeautifulbecauseitsuggeststhese

    iulses;andpartienttoewhere;a

    stretchingtoethingithasnottriedtobebeautifulithasonlyedtolive

    yettheresultissothingperfenselysatisfying

    nordoesnatureartificiallyinvestthegreyhoundits

    functions:thehigharchofthegreyhoundsbodyandthennectinglinebets

    bodyanditshindlegsarebuiltforsness;andtheyarebeautifulbecausethey

    suggeststhishaiousfunergesahaiousfor

    thesoftnessoftheentsresultsinthesoftnessofitsntourandeven

    thejoggedsquattingoutlineofabulldoghasabeautyofforcedlitsohe

    explanationofnaturesinfiniterichness》fpattes;onious》

    alic

    thein;adistinguishedscholarhis

    usnote

    thateveryaderapidlyinantrollingrhihhvti

    �tv玸c;t玦;:rr~~elyvariablehouteverexhausting

    itsforinotheric;andnotastatic;beauty

    itisexaoventiicbeauty;abeauty

    ofntuitlives;andit;too;isinfinitelyvariablehoutexhaustionas;

    surestrokeisappreciatedbecauseitisdeslyandpoonestroke;thus

    possessingaunityofvent;defyingitationorrrection;foranyrrectionis

    iediatelydetectedasdishaiousincidenta
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