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吾国与吾民-My Country and My people(英文版)-第64章

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    thevariousovitchandpilniak;theplaysofshishkov;ivanovandthe

    criticalharsky

    chaptereight

    theartisticlife

    itheartist

    ithinkofallphasesofthechinesecivilization;chineseartaloneakeany

    lastingntributiontothecultureofthe;ithink;be

    seriouslyntestedakeanypretensions;

    althoughtheedicalresearch

    anddisveriespressiononthe

    ;h

    areallphysicallynditionedbythedecreaseofbodilyenergy;canneversuitthe

    perant;hitsaggressiveexuberanceandvitality

    forthesareason;thechinesesocialorganizationthe

    nfuatteroffatoononchalant;andbuddhisoo

    negativetosuittheepositiveoutlookonlifenopeoplethataredailysending

    ixtoexplorethenorthpoleoquertheairorbreaksp
………………………………

第94节

    eedrerdscartbee

    goodbuddhistsihaveseenafeplesofeuropeanbuddhistnks;alk

    altogethertooloudlyandtoovehentlytoncealthetultuouspassionsintheir

    soulsinparticular;ihaveseenoneicdenunciationofthe;is

    stonefroeaventobuupalleuropewhen

    europeansputonbuddhistgoandpassive;theyrelylook

    ridiculous

    reover;itojudgethechineseasanationhoutan

    understandingoftheirarttherearecertainhiddeninnerstrecessesofthechinese

    soulthatcanbeknohroughitsreflectioninchineseart;for;likecyranode

    beigerac;theextresensitivenessandfinefeelingofthechinesesoularehidden

    behindasootionalfa;andbehindhissullen;derousappearance

    residesacarefree;vagabondsoulthoseroughyelloouldandfashion

    objeony;andfrohealndeyesbehindthehigh

    cheekbonesshinesatenderlightthatdsofexquisitebeauty

    froheteleofheaventothescholarsletterpaperandotherproductsofartcraft;

    chineseartshoonythat

    distinguishthebestproduanspirit

    andhayefrohe

    soulofthechineseartistthechineseartistisanpeacehnature;

    theshathetetationsofgold;andwhose

    spiritisdeeplyiersedinuntainsandriversandotheifestationsofnature

    aboveall;hisbreaststbroodnoillpassions;foragoodartist;ronglybelieve;

    stbeagoodnhestfirstofall”chastenhisheart”or”broadenhisspirit;

    chie0ybytravelandbyntelationthisistheseveretrainingposeonthe

    chinesepainters

    toillustratethispointthusingsaid:”ifonesralcharacterisnothigh;

    hisartustabsorbinhielfthebestofhun

    cultureandnaturesspirittungchichang15551636;oneofthegreatestofchinas

    calligraphistsandpainters;oncesaidofanotherpainter:”hohefatherof

    paintinghoutreadingtenthousandbooksandtravellingtenthousandfi”the

    andstrippingaan

    nakedinordertostudyheranato;nordoeshekepiesofplasterfiguresof

    anebackschoolsinthestilldothe

    ountainslikehuaagshaninanhuiorthe

    oiuntainsinszechuen

    thisesountainsisiortantforseveralreasonsfirstofall;theartist

    stabsorbiressionsfroheriadforofnature;itsinsectsandtreesand

    cloudsanderfalls

    inordertopaintthehestlovetheandhisspiritstnehe

    stknoiliarustknoetree

    changesitsshadeandlourbetoingandnightorbetleardayanda

    stying;andhestseeountainclouds”entwine

    theroportantthanld;objectiveobservations

    isthespiritualbaptisnnaturesodidlijihhua15651635describediespiritual

    baptisfagreatpainter:

    huangtzuboos;trees;

    brushountains;andseetohavelosthielfin

    hissurroundings;inannerpuzzlingtootherssotishegoestotheplace

    ains

    there;obliviousofeofthepainter;andthatisissurchargedh

    odsandfeelings;everchangingandureitself

    sendly;chinesepaintingsarealuntaintopsandspecializein

    thoseaegrandaspeountainpeaksorrocks;hosewhohave

    seentheuntainsisasearchforgrandeurinnature

    achineseartistinaricaofalltakeforhissubjectthegrandcanyonor

    theuntainsaroundbanffandhavingetosuchagrandsurrounding;itis

    inevitablethatheshouldobtainanelevationofthespiritasal

    elevationitisstrangethatspiritualelevationalhphysicalelevationon

    thispla;andlifealanaltitudeoffivethousandfeet

    peoplefondofhorsebackridingalontonegoesupon

    horsebaustbetrue

    theretreattotheuntainsans;therefore;alsoasearoralelevation;

    ostiortantreasonfortravelthusfroisgodlikeheight

    theartistsurveystheexpansionofthespirit;andthisspiritgoes

    intohispaintingthen;chastenedinspirit;heesbacktocitylifeandtriesto

    nicateittothoseayalter;buthisspiritof

    untaincaleins;andorexhaustedthisspirit;he

    travelsagainandrebaptizeshielfintheuntainair

    itisthisspiritofountainairshanlincki

    alingedalittlehthereclusespassionforleisureandsolitude;h

    sofchineseartnsequently;itscharacteristicisnot

    supreonyhnature

    iichinesecalligraphy

    allprobleofartareprobleofrhythhence;intryingtounderstand

    chineseart;ustbeginandthesourceofartisticinspiration

    alloisuniversalandthatthechinesedonotoonopolyof

    naturesrhyth;itisstillpossibletotraphasisithasalready

    beenpointedout;inthediscussionontheidealofanhood
………………………………

第95节

    inchina;thatthe

    inineforsinspirationforthehighestideal

    ofperfectrhythelyhappy

    inntelatingadragonfly;afrog;agrasshopperorapie

    observation;itseethereforethatthespiritoforesensual;re

    passionate;refulloftheartistsoore

    oreinhayayexpressthis

    differencebyusingthenietzscheanlanguageaadsayingthatchineseartis

    apollonianart;ousdifferenceis

    possibleonlythroughadifferentunderstandingandappreassuch

    sofartarsofrhythnhasnotplayedthedonantrok

    hasalingscuriouslyenough;thiscultof

    rhythntheabstrathedevelopntofchinesecalligraphyasanart

    thestrangepleasurederivedfrotelatingapictureofbarrenrocksdoneina

    ferokesandhungontheobelookedatdayinanddayout梩hisstrange

    pleasureeunderstandabletothehehasunderstoodthe

    artistientalistheplaceofcalligraphyin

    andrhythntheabstractthataysayithas

    providedthechinesepeoplehabasicaesthetics;anditisthroughcalligraphythat

    theitistherefore

    iossibletotalkaboutchinesearthoutunderstandingchinesecalligraphyand

    itsartisticinspirationthereis;forinstance;notoypeofchinesearchitecture;

    ple;onyandforbr 》

    isnotdirectlyderivedfroertaintypesofchinesecalligraphy

    thepositionofchinesecall
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