按键盘上方向键 ← 或 → 可快速上下翻页,按键盘上的 Enter 键可回到本书目录页,按键盘上方向键 ↑ 可回到本页顶部!
————未阅读完?加入书签已便下次继续阅读!
thevariousovitchandpilniak;theplaysofshishkov;ivanovandthe
criticalharsky
chaptereight
theartisticlife
itheartist
ithinkofallphasesofthechinesecivilization;chineseartaloneakeany
lastingntributiontothecultureofthe;ithink;be
seriouslyntestedakeanypretensions;
althoughtheedicalresearch
anddisveriespressiononthe
;h
areallphysicallynditionedbythedecreaseofbodilyenergy;canneversuitthe
perant;hitsaggressiveexuberanceandvitality
forthesareason;thechinesesocialorganizationthe
nfuatteroffatoononchalant;andbuddhisoo
negativetosuittheepositiveoutlookonlifenopeoplethataredailysending
ixtoexplorethenorthpoleoquertheairorbreaksp
………………………………
第94节
eedrerdscartbee
goodbuddhistsihaveseenafeplesofeuropeanbuddhistnks;alk
altogethertooloudlyandtoovehentlytoncealthetultuouspassionsintheir
soulsinparticular;ihaveseenoneicdenunciationofthe;is
stonefroeaventobuupalleuropewhen
europeansputonbuddhistgoandpassive;theyrelylook
ridiculous
reover;itojudgethechineseasanationhoutan
understandingoftheirarttherearecertainhiddeninnerstrecessesofthechinese
soulthatcanbeknohroughitsreflectioninchineseart;for;likecyranode
beigerac;theextresensitivenessandfinefeelingofthechinesesoularehidden
behindasootionalfa;andbehindhissullen;derousappearance
residesacarefree;vagabondsoulthoseroughyelloouldandfashion
objeony;andfrohealndeyesbehindthehigh
cheekbonesshinesatenderlightthatdsofexquisitebeauty
froheteleofheaventothescholarsletterpaperandotherproductsofartcraft;
chineseartshoonythat
distinguishthebestproduanspirit
andhayefrohe
soulofthechineseartistthechineseartistisanpeacehnature;
theshathetetationsofgold;andwhose
spiritisdeeplyiersedinuntainsandriversandotheifestationsofnature
aboveall;hisbreaststbroodnoillpassions;foragoodartist;ronglybelieve;
stbeagoodnhestfirstofall”chastenhisheart”or”broadenhisspirit;
chie0ybytravelandbyntelationthisistheseveretrainingposeonthe
chinesepainters
toillustratethispointthusingsaid:”ifonesralcharacterisnothigh;
hisartustabsorbinhielfthebestofhun
cultureandnaturesspirittungchichang15551636;oneofthegreatestofchinas
calligraphistsandpainters;oncesaidofanotherpainter:”hohefatherof
paintinghoutreadingtenthousandbooksandtravellingtenthousandfi”the
andstrippingaan
nakedinordertostudyheranato;nordoeshekepiesofplasterfiguresof
anebackschoolsinthestilldothe
ountainslikehuaagshaninanhuiorthe
oiuntainsinszechuen
thisesountainsisiortantforseveralreasonsfirstofall;theartist
stabsorbiressionsfroheriadforofnature;itsinsectsandtreesand
cloudsanderfalls
inordertopaintthehestlovetheandhisspiritstnehe
stknoiliarustknoetree
changesitsshadeandlourbetoingandnightorbetleardayanda
stying;andhestseeountainclouds”entwine
theroportantthanld;objectiveobservations
isthespiritualbaptisnnaturesodidlijihhua15651635describediespiritual
baptisfagreatpainter:
huangtzuboos;trees;
brushountains;andseetohavelosthielfin
hissurroundings;inannerpuzzlingtootherssotishegoestotheplace
ains
there;obliviousofeofthepainter;andthatisissurchargedh
odsandfeelings;everchangingandureitself
sendly;chinesepaintingsarealuntaintopsandspecializein
thoseaegrandaspeountainpeaksorrocks;hosewhohave
seentheuntainsisasearchforgrandeurinnature
achineseartistinaricaofalltakeforhissubjectthegrandcanyonor
theuntainsaroundbanffandhavingetosuchagrandsurrounding;itis
inevitablethatheshouldobtainanelevationofthespiritasal
elevationitisstrangethatspiritualelevationalhphysicalelevationon
thispla;andlifealanaltitudeoffivethousandfeet
peoplefondofhorsebackridingalontonegoesupon
horsebaustbetrue
theretreattotheuntainsans;therefore;alsoasearoralelevation;
ostiortantreasonfortravelthusfroisgodlikeheight
theartistsurveystheexpansionofthespirit;andthisspiritgoes
intohispaintingthen;chastenedinspirit;heesbacktocitylifeandtriesto
nicateittothoseayalter;buthisspiritof
untaincaleins;andorexhaustedthisspirit;he
travelsagainandrebaptizeshielfintheuntainair
itisthisspiritofountainairshanlincki
alingedalittlehthereclusespassionforleisureandsolitude;h
sofchineseartnsequently;itscharacteristicisnot
supreonyhnature
iichinesecalligraphy
allprobleofartareprobleofrhythhence;intryingtounderstand
chineseart;ustbeginandthesourceofartisticinspiration
alloisuniversalandthatthechinesedonotoonopolyof
naturesrhyth;itisstillpossibletotraphasisithasalready
beenpointedout;inthediscussionontheidealofanhood
………………………………
第95节
inchina;thatthe
inineforsinspirationforthehighestideal
ofperfectrhythelyhappy
inntelatingadragonfly;afrog;agrasshopperorapie
observation;itseethereforethatthespiritoforesensual;re
passionate;refulloftheartistsoore
oreinhayayexpressthis
differencebyusingthenietzscheanlanguageaadsayingthatchineseartis
apollonianart;ousdifferenceis
possibleonlythroughadifferentunderstandingandappreassuch
sofartarsofrhythnhasnotplayedthedonantrok
hasalingscuriouslyenough;thiscultof
rhythntheabstrathedevelopntofchinesecalligraphyasanart
thestrangepleasurederivedfrotelatingapictureofbarrenrocksdoneina
ferokesandhungontheobelookedatdayinanddayout梩hisstrange
pleasureeunderstandabletothehehasunderstoodthe
artistientalistheplaceofcalligraphyin
andrhythntheabstractthataysayithas
providedthechinesepeoplehabasicaesthetics;anditisthroughcalligraphythat
theitistherefore
iossibletotalkaboutchinesearthoutunderstandingchinesecalligraphyand
itsartisticinspirationthereis;forinstance;notoypeofchinesearchitecture;
ple;onyandforbr 》
isnotdirectlyderivedfroertaintypesofchinesecalligraphy
thepositionofchinesecall