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literaryartnsistedinnpersonalfront
onehouchaochung;
givinganintiteportraitofhisloverlihsiangchiin;andthenfindsthathoudidhis
biographyofssliinexactlythreehundredandseventyfivetenina
nnerasifheotheroo
suustforevergropeang
sketchesofthreeorfourhundredhebarestbeggarsoutlineoffacts
thetruefactis;theliterarylanguageirelyunsuitabletodiscussoarrate
facts;hereasonersofnovelshadtoresorttotheveacular
languagetheanded
apoachien14080bc;thegreateststerof
chineseprose;stillkeptaclosetouchhthelanguageofhisday;anddaredto
inrporateerscholarsas”vulgar;”andhis
languagestillretainedavirilityuntchedbyanylatererintheclassical
languageillore
orlessashethought;andtin&pr�ieuxstyleofingbutafterthat
goodprosebepossiblethetersenessandrefinenthe
literarylanguagehadetoybeseeninthefollorwuliufive
self;in
exactlyonehundredandtodel:
;e;too;areunknohetitleheisquietandtalks
verylittlehedoesnotoneyorfahelikestoreadbooks;hout
tryingtoknoeaningesapassage;heisso
happyastoforgetabouthisfoodheloves;beingpoor;cannotalways
provideithisfriendsandrelativesknoetisaskhio
eoverforadrinkhealakesuphisndtobe
drunkafterhegetsdrunk;heretires;anddoesnotndselfhis
froacket
offlaxclothintatters;andhisriceboptybuthedoesnotcarehe
oftenusehielfandindicateshisaitioninlife;andforgetsallabout
thehat
liatisdaintyprose;butnotgoodprose;acrdingtoour
definitionitisanabsoluteproofthatthelanguagewasdead;
upposeonepelledtoreadonlyproseofthistype;
fherethecharacterizationisthevaguest;thefactsarethe
iiest;andthenarrationthebarest梬hato
nesintellectualntent
thisleadstoareiortantnsiderationoftheintdlectialntentofchinese
proseedhinese
librariesndbookstoresaboundthesealingthelargestlivisioninchinese
inesitsntents;oneiasthefeelingofbeinglostinadesertof
essays;
………………………………
第77节
sketonialings;official
randu;andsostproscuousvarietyoftopics;
historiostallsuch
eeringthe
factthatnyoftheseauthorshaveelsetennsecutivetreatisesonspecial
topics;thisproscuityisperhapspardonableagainstsuchkindnsiderations;
hooftheliterary
aanyauthors;andtheonlyliteraryaost;andthattheyrepresent
tothechinese”literature”parexcellenceachineseschoolboy;incultivatingaprose
style;isdetorepeataseleodels
furthesiderthefaendousliterary
aendousnuerofsendously
literaryinent
perhapsodestandardan
elentisalanjoysandsorrohesehere
enaybeinterestedin
butbeingde;odestandardwhenonereads
kueiyukuangsbiographiother;ost
eandleaderofaliteraryvent;andreersthatthisisthehighestprodueofdevotiontoleaing;andthendisversinitonlya
purelylinguisticcraftsnshipinitatingtheancients;laidoverapaucityof
ent;onehasarighttobe
disappointed
goodprosethereisinchineseclassicalliterature;butoneofinditfor
oneself;haneandardofvaluationherforliberationofthoughtand
sentintorforliberationofstyle;oneongaclassofslightly
unorthodox;uch
intellectualntentthattheysthavehadanaturalntetforthecarcassofstyle
suchei;liliweng;
kungtingan;allofellectualrebels;andingsher
bannedorgreatlydepreeoranothertheyhadthat
personalstyleofingorofthoughthodoxscholarsregardedasfriendlyto
radiorality
viliteratureandpolitics
itisnaturalthatthebondageoflanguagehasbroughthitthebondageofthought
theliterarylanguagehatituldnotexpressanexactthoughtit
alidstsuchgeneralities;ha
totallackofdisciplineinlogicalreasoning;chinesescholarsoftendisplayedan
extreentthisdisparitybethoughtandliterature
broughtaboutasituationhoughtandliteraturewereregardedashavingno
relationhoneanother
thisbringsustotherelationbeteratureandpoliticsinordertounderstand
chinesepolitics;oneshouldunderstandchineseliteratureperhapsoneshouldhere
avoidtheeraturetreshis
eaveritableniainthenationthisis
ents;rcial
nents;thefirstthoughtishow
toketheicesounding;hobeautifullyandthefirstthoughtofa
neentsreadnients
alstalostalbeautifullyapalpablelieis
praisedifitistoldingoodfor
thishasledtoatypeofbelleslettress
extrelysillythusinaparativelyrecentstatentbyaniortantpolitical
partyesouationalsovereigntyandinvadesourterritory;
outhepeaceofthe
ined;ost;ustunite
together”adepubliesticpoliticalsituationofthe
ntandaredetailedacuntoftheeansbyheyaregoing
to”driveout”theinvadersand”stop9thebreakersofinteationalpeacethis
literarylpraeses;asrcial
advertisentforsilkstoofalongfivehundredwordessay;
beginninganchurianprovinceshavebeenlost”
thatdoesnotan;hoplendedtheir
literatureisfullofgeneralities;butitisnotsileratheronthentrary;frohis
hedgingabouttheprobleandthesevaguegeneralitiesofexpression;therehas
developed;strangetosay;theutstfinesseofexpressionthechinese;versedin
thisliterarytraining;haveleaedtoreadbethelines;anditistheforeigners3
inabilitytoreadbetissingthe
”aningbeyondthehatcausestheforeign
rrespondentstoselvesfortheirinabilitytokeheador
tailofsuchcleverlylesspublicstatents
fortheincingwordslargelydue;aswehaveseen;
tothenosyllabiccharacteroftheliterarylanguage梐ndis
ihevictoryinapoliticalorlegal
strugglechinesecivilof
exsthepublicassiduouslyreadthisexchangeofabusivenessor
ofpoliterecrinationsorevenbrazenfacedlies;anddecideter
literarystyle;inousclo
………………………………
第78节
udishangingoverthe
horizonthisiscalledinchinese”firstpoliteness;andtheny
abouttorevoltenth”rruption”and”sellingthe
untrytoitsene;”entreadroitlychargesthe
rebellingpartyto”operateforpeace”and”fortheunityofthenation;””because
iesvenearer
andnearertheclashinglineanddigdeeperanddeepertrenchesthepartythatfindsa
bettersoundingpretextheeyesofthepublicthedeadlanguagetherefore
beissiblesolongasyoucallitbyth