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吾国与吾民-My Country and My people(英文版)-第57章

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    saying;”ihegodofajesty”

    lipoischinasprinceofvagabondpoets;;his

    panionshipoon;hisloveofhighuntainscenery;andhisnstant

    aspiration:

    oh;uldibutholdacelestialsword

    andstabaheseas

    liposronticisndedfinallyinhisdeathfroeachingfortheshadohe

    onintheerinadrunkenfitandfallingoverboardgood;infinitelygood;that

    thestaidandapparentlyunfeelingesreachfortheshadowof

    theonanddiesuchapoeticdeath

    isthatthechinesehadthisloveofnatureitutedthepoetryoftheir

    existence;andthefullnessoftheirheartsintoliteratureit

    taughtthechineseareong

    thenfolkofotheationsihaveseenachinesecroexcitedatthesight

    ofabirdinaouredagain;dethebr 》

    shareanfeelingofgayirresponsibilityandbrokedohebarriersof

    hostilityangstrangers;asonlyanobjeondelightuldtheworshipof

    thepastorallifehaslouredtheure;andtodayofficialsor

    s”asthestelegant;thestrefinedand

    stsophisticatedaitioninlifetheycanthinkofthevogueissogreatthateven

    thedeepestdyedsundrelofapoliticiahingofli

    posronticisnhisnatureactuallyisuspectevenheiscapableofsuchfeelings;

    becauseafterallheisachineseasachinese;heknouchlifeish;and

    atdnight;gazingthroughhisthestars;thelinesheleaedatchildhood

    eba:

    ihroughthewholelivelongday

    hearingspringdsoonbegone;ihurriedonboourtyardichattedonk;

    andsoleisurelypassedonerehalfdayaway

    tohiitisaprayer

    thesendtypeisbestrepresentedbytufu;hhisquiet

    huur;hisrestraint;histendeesstohepoorand

    oppressed;andhisunncealedhatredofwar

    is;too;thatthechinesehavepoetsliketufuand

    pochiiyi;rayoursorroyandbegetinus

    asenseofpassionfokindtufulivedintisof

    politiinelikeour

    oe:

    atsandansions;

    andhunbonesarerottingoutsidetheirdoors;

    asilaoteulberryidenby

    hsiehfangteh:

    hchinthedeadofthenight
………………………………

第84节

    ;

    thenirose;lestthes;shortofleaves;hungerght

    esyetthroughh

    theirdance

    thepaleonshohroughheir

    notethepeculiarlychineseending;easocialistic

    thought;thepoetntentshielfisa

    littletoorebelliousfortheaveragechinesepoetrytheusualnoteisoneofsadness

    andresignation;asinsonyoftufuspoe;describingtheharassingeffectsof

    ple:

    icatoshihhaovillageandstayedthateve

    abailiffcaforpressganginthenight

    theoldn;hearingthis;cliedoerthewall;

    andtheoldansahebailiffatthedoor

    oh;hebailiffsvoicesoterrible;

    andansplaintsosoftandlow

    ”ihavethreesonsallattheniehchengpost

    andonejustetosay

    theotherthebattledied

    letthosetheycan;

    forthoseore

    nohehousetheresonlygrandsonleft;

    forhiistherstillreins梬ithout

    adecentpattiattogoabout

    althoughstrengthisebbingweakandlow;

    illgohyou;bailiff;inthefronttoserve

    foriy;and

    torroarchandhurrytothehoyangfront”

    桽ospakethean;andinthenight;thevoice

    becasoloper

    andintheingyshe;

    aloneshesaidgoodbyetoheroldn

    thatischaracteristiftheartofrestraintandthefeelingofsadnessinchinese

    poetryitgivesapicture;expressesasentint;andleavestheresttothereaders

    igination

    ixdra

    theeanpositionbeteratureandthat

    bodyofliteratureeanbythetealy;

    literatureoftheiginationthelatter;includingthedrasandnovels;ten

    inthepehkuaorveacularlanguage;andnsequentlyriddenh

    classicalstandards;andnstantlygrethatfreedobecause

    chinesedraticpositionhappenedtobelargelypoetry;itedas

    literatureonahigherlevelthanthenovels;andalstonaparhthetanglyrics

    scholarsedtobeknoatichaning

    novelsontheasousorsubjectto

    debateliketheauthorshipofnovels

    frooaginativeliteraturenstantlygrewin

    beautyandiortanodetisonitsown

    rits;andexertedaninfluenceoverthepeopleasnoclassicalliteratureever

    succeededindoing

    thishybridaacuntsforitspeculiarpositionand

    alsoforitsgreatpopularinfluencethechinesedraisabinationofdialogues

    inthespokenlanguage;heelligibletothepopulace;and

    songsenpartakeofahighpoeticqualityitsnatureistherefore

    entirelydifferentfrohatofthenventionalenglishplaythesongseinat

    shortintervalsandarereinpronencethanthespokenpartsasisnatural;the

    ianlovesandsorrooreoftenburstoutintosongsactually;thetheatreisattended;frohe

    pointofvieoreforitssingingthanforitsactingone

    speaksofgoingto”listentoaplay;ratherthanto”see”itit;therefore;

    thatthetranslationofthechinesea”issleading;anditwouldbe

    repropertospeakofitaschinese”opera”

    onlybyunderstandingtheofoperasothe

    people;asposition;betrulyunderstoodforthe

    appealofthedra梕speodeenglishdra梚slargelyanappealto

    theunderstanding;akesabinedappealtothesensesoflour;

    voiotionthediufthedraisthespokenlanguage;but

    thatoftheoperaissicandthesong;atheatregoertendsaplayexpectsto

    follobyitsnflictsofcharacteranditssurprisesand

    noveltyofaction;andanoperagoerispreparedtospendaneveningduringhhis

    intellebedandhissensessoothedbysicandlourand

    song

    thisaostdratiancesarenothattendinga

    sendti;althoughpeoplegotothesaoperasforthefiftiethtihoutlosing

    theedgeoftheirkeenenjoyntthusitishthechinesetheatrethesocalled

    chinghsi”pekingplays”hasageneralrepertoireoflessthanahundredpiecesh

    areplayedoverandoveragainhoutlosingtheirpopularityandthepeople

    applaudbyshouting”hao”invariablyattheariasostintenseor

    intria;andacting

    isrelyanaainsonessentially

    thesalevelasthatofadonnas

    thechineseoperagoer;therefore;appraisesthechineseactorunderthetwo

    categoriesofhis”singing”ckang}andhis”acting”chuobutthissocalled

    ”acting”isoftenpurelytechnicalandnsistsofcertainnventionalwaysof

    expressingetions梚nthe;istoustheshockinglyinartisticheavingand

    sadonnaschest;andintheeast;istooccidentalsthe

    ludicrous

    andbeautyandagoodvoiofactingisalosatisfythe

    audiencebutaybebeautifulandeveryposea

    perfeeilanfangby

    aricansisessentiallyrrect;althoughhouchofhissingingis

    apprearvelsathisbeautifulposesand

    gest
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