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period;havealpositionofpoeangtheiortanttestsof
literaryabilityevenparentsetis
thetalentedgirlstheelves;oftensonthestrengthofafew
linesofreallygoodpoetryorreceivedextra
urtesybytheirabilitytoenin
poplishntandthesurest
andeasiestansliteraryskillreover;chinesepaintingisclosely
nnectedhchinesepoetry;beingakintoit;ifnotessentiallyidenticalhit;in
spiritandtechnique
tond;poetryhastakenoverthefunctionofreligioninchina;insofaras
religionistakentoanaanssoul;afeelingforthesteryand
beautyoftheuniverse;andafeelingoftendeessandpassionforones
felloblecreaturesoflifereligioncannotbe;andshouldnotbe;
anythingexotionthechinesehavenotfoundthis
inspirationorlivingetionintheirreligions;arerelyderative
patchesandfrillsveringtheseasideoflife;havinglargelytodohsickness
anddeathbuttheyhavefoundthisinspirationandlivingetioninpoetry
poetryhastaughtthechineseaviehroughtheinfluenceofproverbs
andseatedintosocietyingeneralandgiventhesenseof
passion;anoverfloure;andanattitudeofartisticacceptanceof
lifethroughitsfeelingfoatureithasoftenhealedtheheirsouls;and
throughitslessonofenjoyntofthesilelifeithaskeptasaneidealforthe
etisitappealstotheirronticisndgivesthe
viotionalupliftfrohehurutisit
appealstotheirfeelingofsadness;resignationandrestraint;andcleansestheheart
throughtheartisticreflectionofsorrotolistenentto
thesoundofraindropsonbananaleaves;toadrethechieyskeofttages
risingandnglinghtheeveningcloudsnestlingonahillside;tobetendertoward
theeliliesontheuntrypath;andtohearinthesongofthecuckoothelonging
ofatravellerforhistherathoitgivesthekindthoughtforthepoor
teapiulberryiden;forthesecludedandforsakenlover;for
thetheryservionpeoplewhose
livesareharassedbyapantheisticunionhnature;
toaevisiblyflyingahe
droningofthecicadainsuer;tofeelsadnleaves;and”to
lookforlinesofpoetryinsnoayhe
chinansreligionihardlythinkthat;houttheirpoetry梩hepoetryofliving
habitsashepoetryofothis
day
yetch
………………………………
第80节
inesepoetryportantplaceinchineselife
houtdefinitereasonsforitfirst;thechineseartisticandliterarygenius;h
thinksinetionalnosphere;is
especiallysuitabletotheingofpoetrytheircharacteristicgeniusfotraction;
suggestion;sublitionandncentration;forprosehinthe
classicallits;kestheif;asbertrand
russellsays;”inarttheyaitbeingexquisite;andinlifeasbeingreasonable;”then
itisnaturalfortheoexcelinpoetrychinesepoetryisdaintyitisneverlong;and
neververypoinentlyfittedforproducingperfectgeof
sentintandforpaintingagicalscenery;aliveic
beautyandinfordhspiritualgrace
theenorofchinesethought;too;enuragestheingofpoetryasthe
highestentof
theallroundn;andphasizestheunityofknowledgevery
specializedsciences;likearchaeology;arefehechinesearchaeologistsalways
reinhun;ilyorinthepeartreeintheir
urtyardpoetryisexactlythattypeofcreationansfacultyof
generalsynthesis;inotheransabilitytolookatlifeasawholewhere
theyfailinanalysis;theyaportantreasonpoetryisessentiallythoughtlouredotion;andthechinesethinkalways
otion;andrarelyereaccidentthatthe
aybe
seeninsuchexpressions;”abellyfulofessaysor”ofscholarship”noe
psyotions;andasnoone
thinkspletelyotion;iaeadytobelievethathinkhthebelly
asoreetionalthetypeofthinking;therearethe
intestinesresponsibleforonesthoughtsisadoraduncansaidaboutens
thoughtsoriginatingintheabdonandtravellingupensthoughts
originateintheheadandtraveldorueofthechinesethisrroborates
theoryaboutthefeninityofthechinesendchapteriiiwhereaswesayin
englishthatan”ransackshisbrain”forideasduringaposition;wesayin
chinesethathe”ransackshisdryintestinesforagoodlineofpoetryorprosethe
poetsutungpoonceaskedhisthreencubinesafterdinnerhisbellyntained
thecleverestone;chaoytin;repliedthathehad”abellyfulofunseasonable
thoughts”thechinesecanegoodpoetrybecausetheythinkhtheirintestines
further;thereisarelationbetrypoetryshouldbe
crisp;andthechineselanguageiscrisppoetryshouldion;andthe
chineselanguageisfiillofntractionsorethanean
poetryshouldexpressideasbyncreteigery;andthechineselanguagerevelsin
ageryfinally;thechineselanguage;hitsclearcuttonesanditslackof
finalnsonants;retainsasonoroussingingqualityonal
languages;chineseprosodyisbasedonthebalanceoftonalvalues;asenglishpoetry
isbasedonaccentthefourtonesaredividedintothe”soft”tonescalled
ping;longandtheoreticallyevenbutreallycirculex;andthe”hard”tonescalled
tsek;ofacute;graveandabrupttones;thelasttheoreticallyendinginp;
t;&s;odendarinthechineseearistrainedto
sensetherhythndalteationofsoftandhardtonesthistonalrhythsobserved
eveningoodprose;hefactthatchineseproseis”singable”seepage
219foranyonecanbeeasilysensedinruskinsor
erpatersproseobservethentrastbetween;
n;ngand;kinruskinsings;andthistotal
rhythanbeeasilyanalysed
inclassicaltangpoetrythisalteationisquiteplex;asinthefollowing
”regular55sche”o”standingforthesofttonesand”standingforthehardtones
inreadingthefolloofeelthentrasting
effect;givingthesaysafinal;reorlessabrupttone:
fioooorhy
2ooorhy
3ooo
{4oooorhy
f5oooo
6oooorhy
7ooo
8oooorhy
afterthefourthsyllableineachlihereisahiatuseachtauplet
bytheelves;andtheddletustberealuplets;ie;allthewordsin
eachlinestbebalancedagainstrrespondingheotherline;bothintone
andaningtheeasiestagiwo
interlocutorsspeakingtooneanother;eachspeakingalinetakethefirstfourandthe
lastthreesyllablesofeachlineasttwo
englishheresultisapatteasoutlinedbelow
aah;yes
bbut;no
abut;yes
bah;no
aah;yes
bbut;no
abut;yes
bah;no
noticethatthesendinterlocutoralriestounterthefirst;hefirst
alakesupthethreadofthesendinitsfirstunitthe”ahs”and”buts”but
varies