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吾国与吾民-My Country and My people(英文版)-第54章

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    period;havealpositionofpoeangtheiortanttestsof

    literaryabilityevenparentsetis

    thetalentedgirlstheelves;oftensonthestrengthofafew

    linesofreallygoodpoetryorreceivedextra

    urtesybytheirabilitytoenin

    poplishntandthesurest

    andeasiestansliteraryskillreover;chinesepaintingisclosely

    nnectedhchinesepoetry;beingakintoit;ifnotessentiallyidenticalhit;in

    spiritandtechnique

    tond;poetryhastakenoverthefunctionofreligioninchina;insofaras

    religionistakentoanaanssoul;afeelingforthesteryand

    beautyoftheuniverse;andafeelingoftendeessandpassionforones

    felloblecreaturesoflifereligioncannotbe;andshouldnotbe;

    anythingexotionthechinesehavenotfoundthis

    inspirationorlivingetionintheirreligions;arerelyderative

    patchesandfrillsveringtheseasideoflife;havinglargelytodohsickness

    anddeathbuttheyhavefoundthisinspirationandlivingetioninpoetry

    poetryhastaughtthechineseaviehroughtheinfluenceofproverbs

    andseatedintosocietyingeneralandgiventhesenseof

    passion;anoverfloure;andanattitudeofartisticacceptanceof

    lifethroughitsfeelingfoatureithasoftenhealedtheheirsouls;and

    throughitslessonofenjoyntofthesilelifeithaskeptasaneidealforthe

    etisitappealstotheirronticisndgivesthe

    viotionalupliftfrohehurutisit

    appealstotheirfeelingofsadness;resignationandrestraint;andcleansestheheart

    throughtheartisticreflectionofsorrotolistenentto

    thesoundofraindropsonbananaleaves;toadrethechieyskeofttages

    risingandnglinghtheeveningcloudsnestlingonahillside;tobetendertoward

    theeliliesontheuntrypath;andtohearinthesongofthecuckoothelonging

    ofatravellerforhistherathoitgivesthekindthoughtforthepoor

    teapiulberryiden;forthesecludedandforsakenlover;for

    thetheryservionpeoplewhose

    livesareharassedbyapantheisticunionhnature;

    toaevisiblyflyingahe

    droningofthecicadainsuer;tofeelsadnleaves;and”to

    lookforlinesofpoetryinsnoayhe

    chinansreligionihardlythinkthat;houttheirpoetry梩hepoetryofliving

    habitsashepoetryofothis

    day

    yetch
………………………………

第80节

    inesepoetryportantplaceinchineselife

    houtdefinitereasonsforitfirst;thechineseartisticandliterarygenius;h

    thinksinetionalnosphere;is

    especiallysuitabletotheingofpoetrytheircharacteristicgeniusfotraction;

    suggestion;sublitionandncentration;forprosehinthe

    classicallits;kestheif;asbertrand

    russellsays;”inarttheyaitbeingexquisite;andinlifeasbeingreasonable;”then

    itisnaturalfortheoexcelinpoetrychinesepoetryisdaintyitisneverlong;and

    neververypoinentlyfittedforproducingperfectgeof

    sentintandforpaintingagicalscenery;aliveic

    beautyandinfordhspiritualgrace

    theenorofchinesethought;too;enuragestheingofpoetryasthe

    highestentof

    theallroundn;andphasizestheunityofknowledgevery

    specializedsciences;likearchaeology;arefehechinesearchaeologistsalways

    reinhun;ilyorinthepeartreeintheir

    urtyardpoetryisexactlythattypeofcreationansfacultyof

    generalsynthesis;inotheransabilitytolookatlifeasawholewhere

    theyfailinanalysis;theyaportantreasonpoetryisessentiallythoughtlouredotion;andthechinesethinkalways

    otion;andrarelyereaccidentthatthe

    aybe

    seeninsuchexpressions;”abellyfulofessaysor”ofscholarship”noe

    psyotions;andasnoone

    thinkspletelyotion;iaeadytobelievethathinkhthebelly

    asoreetionalthetypeofthinking;therearethe

    intestinesresponsibleforonesthoughtsisadoraduncansaidaboutens

    thoughtsoriginatingintheabdonandtravellingupensthoughts

    originateintheheadandtraveldorueofthechinesethisrroborates

    theoryaboutthefeninityofthechinesendchapteriiiwhereaswesayin

    englishthatan”ransackshisbrain”forideasduringaposition;wesayin

    chinesethathe”ransackshisdryintestinesforagoodlineofpoetryorprosethe

    poetsutungpoonceaskedhisthreencubinesafterdinnerhisbellyntained

    thecleverestone;chaoytin;repliedthathehad”abellyfulofunseasonable

    thoughts”thechinesecanegoodpoetrybecausetheythinkhtheirintestines

    further;thereisarelationbetrypoetryshouldbe

    crisp;andthechineselanguageiscrisppoetryshouldion;andthe

    chineselanguageisfiillofntractionsorethanean

    poetryshouldexpressideasbyncreteigery;andthechineselanguagerevelsin

    ageryfinally;thechineselanguage;hitsclearcuttonesanditslackof

    finalnsonants;retainsasonoroussingingqualityonal

    languages;chineseprosodyisbasedonthebalanceoftonalvalues;asenglishpoetry

    isbasedonaccentthefourtonesaredividedintothe”soft”tonescalled

    ping;longandtheoreticallyevenbutreallycirculex;andthe”hard”tonescalled

    tsek;ofacute;graveandabrupttones;thelasttheoreticallyendinginp;

    t;&s;odendarinthechineseearistrainedto

    sensetherhythndalteationofsoftandhardtonesthistonalrhythsobserved

    eveningoodprose;hefactthatchineseproseis”singable”seepage

    219foranyonecanbeeasilysensedinruskinsor

    erpatersproseobservethentrastbetween;

    n;ngand;kinruskinsings;andthistotal

    rhythanbeeasilyanalysed

    inclassicaltangpoetrythisalteationisquiteplex;asinthefollowing

    ”regular55sche”o”standingforthesofttonesand”standingforthehardtones

    inreadingthefolloofeelthentrasting

    effect;givingthesaysafinal;reorlessabrupttone:

    fioooorhy

    2ooorhy

    3ooo

    {4oooorhy

    f5oooo

    6oooorhy

    7ooo

    8oooorhy

    afterthefourthsyllableineachlihereisahiatuseachtauplet

    bytheelves;andtheddletustberealuplets;ie;allthewordsin

    eachlinestbebalancedagainstrrespondingheotherline;bothintone

    andaningtheeasiestagiwo

    interlocutorsspeakingtooneanother;eachspeakingalinetakethefirstfourandthe

    lastthreesyllablesofeachlineasttwo

    englishheresultisapatteasoutlinedbelow

    aah;yes

    bbut;no

    abut;yes

    bah;no

    aah;yes

    bbut;no

    abut;yes

    bah;no

    noticethatthesendinterlocutoralriestounterthefirst;hefirst

    alakesupthethreadofthesendinitsfirstunitthe”ahs”and”buts”but

    varies
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