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吾国与吾民-My Country and My people(英文版)-第71章

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    perpetratedaestyledlighthouseshapedthingcalledthelakeexhibition

    rial;anditstandsthereadstthebeautiesoflakelikeasoreona

    beautysface;causingallsortsofeyetroublesittoolong

    itplesofourdevicestobreakstraight;deadlinesthe

    bestclassicexaleisperhapsthebalustradedroundbridgetheroundbridge

    haizeshnature;becauseitisina
………………………………

第104节

    curveandbecauseitisbalustradedits

    spansarenotaslonganditsbalustradesnotasusefulasthesteeltrussesofthe

    brooklynbridge;butnoonecandenythatitsuggestslesshuncleveessand

    rebeautynsideralsothepagoda;andhothefact

    thatitsoutlineisbrokenbyasuccessionofprojectingroofs;especiallythoseendlines

    thatcurlupheslantingstrokesofchineseingnsideralsothe

    peenatpeipingnothingisre

    strikingthanthebolofcloudsplacedhorizontallyacrossthetopon

    eaunparalleledinaudacityeveninchineseartthe

    pillarstheelveshaveaaybe;ithappensthat

    theintothe

    surfapleofnfuciusbear;too;thehe

    enthehedragonsbodyhelptobreakthe

    straightlines;otive;apartfrotssyolicvalue

    everyofnatureanditate

    itsirregularitythespiritunderlyingitallisstillthespiritofanisncalligraphy

    helinesofboopatte

    onotonyofthe

    straightanyshapesasthesllcakesofe

    pastry;itatingabananaleaf;orapeaelonorafanli

    liatistandepicure;roducingthebranchinlaid

    itionstheoutlineoftheraightalongthis

    outline;horoducedabranchshapedcarving;togivetheeffectofaliving

    branchstretchedacrosstheopartitions;bedpostsand

    othertypesoflatticely;theuseofrockeryisprobablytheclearest

    exaleofoureffortstointroduanarchitecturethenaturalirregtdarlines

    ofnature

    inotherectureanefforttoseekrelief

    frotraightlinesthroughsoforfirregularitysuggestiveofanilandplant

    forthisleadstoansiderationoftheuseofsyolisthebat;forinstance;is

    verychusedasaderativetive;becauseitscurvedapableofso

    nyvariationsindesign;butalsobefor”goodluck;”the

    syolisthelanguageofthepritiveandthechildnditissothingthatevery

    chineseanandchildcanunderstand

    butsyolisas;further;thevirtueofntaininghinafeionallines

    thethoughtoftheagesandthedreaoftheraaginationand

    leadsusintoarealfhought;likethechristiancrossorthesoviet

    haerandsiousthatwe

    inplicityandthen

    reachesthetopandlosesitselfinariotofbracketsandicesandbars;we

    liketoseethere;asandarinducksoragrasshopperoran

    inkslabandabrushasandarinduckshalwaysgoinpairsin

    anslove;andastheinkslab

    andthebrush;sstudythere;paintedingreenand

    blueandgoldarethegrasshoppersandthecricketsandthendarinducks;anditis

    aschhappinessasofinthisearthlylife

    sotisetiselife;

    forthesearethetesofchinesepainting

    thedragonisthesthonouredanilinperor;

    ostusedinartasaderativetive;

    partlybecausethet;

    bininggraeaning;

    besideshavingthosebeautifulclaharealwayssouseful

    inbreakingnotonythedragonrepresentsotherhe”fugitive”oryi

    principleentionedbefore;anditrepresentsgreattaoist;foritoften

    hidesitselfangrevealsitshegreat

    chinanperfectinandinpoself

    heulddesountainpondsasheuldrisetotheclouds

    beneaththedarkersofthedeeppondseeanytraceofhisexistence;but

    hehina

    arealoventsofthedragon;andsotis

    snofidstthunderandlightning;tearing

    uphouseroofsanduprootingoldbanyantreeshen;shouldhe

    dragon;theeodintofpo

    but;then;thedragonisnotapurelythologicalorantediluvianentitytothe

    anyofthewindingridgesof

    untainsountainsgraduallydescendand

    rgeintotheplainorthesea;the

    basisofancyisundeniablyasuperstition;it

    hasagreatspiritualandarchitecturalvalueitssuperstitionnsistsinthebeliefthat

    byplabsinabeautifulscenery;overlookingthosedragon

    untainsandlionhills;oneans

    descendantsifthelocationandthelandscapesceneryaretrulyunique;if;forinstance;

    fivedragonsandfivetigersuniteinkinghogetotheto;itisalst

    inevitablethatonedesperialdynasty;oratleast

    beeapreer

    butthebasisofthesuperstitionisapantheistientofiandscape3and

    gancysharpensoureyestobeautyountains

    andge
………………………………

第105节

    neraltopographythesarhythlforeveryu;

    natureisaliveitsrhythclinessandandnvergetoain

    pointagaininthebeautiesoftheuntainsandriversandgeneraltopography;we

    seenotabeautyofstatioventacurveis

    appreciatedlessbecauseitisacurvethanbecauseitisasure;anda

    hyperbolaisreappreciatedthanaperfectcircle

    theaesthetiancyhasthereforeaveryclosebearingonchinese

    arinationofthesetting

    andthelandsyfriendstherewasa

    littlepoolthepooliousbecauseiterpretedasa

    dragonseyeandilylostitsfortuneasatter

    offact;thepool;setatonesideadistancebelohegrave;heticallyan

    iortantelentinthegeneralsettingofthegrave;balancingalineontheother

    sideinasubtlybeautifulnner;itakingtheurealiveinspiteofthe

    superstitionandoilyfeudsorclan;aswhen

    soonebuildsastructuretoobstructtheperfectsoflineenjoyed

    frohepointofthegraveortheaneonedigsaditchsowhere

    andthereforebreakstheneilysrise

    topouchancyhasnot

    ntributedretotherichnessofouraestheticlifethanithashinderedour

    knowledgeofgeology

    forthelastandstiortantelentofchinesearchitecturealainsits

    essentialhayoreiortantthanthejewel

    architecturethatisperfectinitselfbutdoesnotfitintothelandscapecanonlyjarus

    byitsdishayandbyitsviolentselfassertion;astethebest

    architectureisthatesonehit;

    belongstoitthisprinsofchinesearchitecture;frohe

    pleandthelittleopenpavilionontheedge

    ofaponditslinesshouldsoothebutnotobtrudeitsroofsshouldnestle:quietly

    beneaththekindshadeoftreesandsoftboughsshouldgentlybru**sbrohe

    chineseroofdoesnotshoutoutloudanddoesnotpointitsfingersatheavenitonly

    shoodestybeforethefititisasignoftneplace

    anslive;anditsuggestsacertainauntofdecencybyveringup

    ourhunhabitations

    aetoputaroofonallourhouses;and

    qonotallotostareatheavenintheirunashad

    nakednesslikedencretebuildings

    fjuarchltectureisthatinadeto

    his;
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