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knockagainsteachother”shekneshealkingabout
psyuchartisticfinesseheappreciationof
differenttypesofboundfeetasoftangpoetry
eersthatreallysllandwererare；perhapsless
thanteninaovedbythestheyghtbevedbyexquisitepoetryfanghsienofthenchudynastyean
entirebookdevotedtothisart；aindivisionsand
eighteentypesreover；aboundfootshouldbeafat；bsoftandgelegant；
sosaysfang：
thinfeetareld；andscularfeetarehardsuchfeetareincurablyvulgarhence
fatfeetarefullandsothtothetouch；softfeetaregentleandpleasingtotheeye；
andelegantfeetarerefinedandbeautifulbutfatnessdoesnotdependontheflesh；
softnessdoesnotdependonthebinding；andelegancedoesnotdependontheshoes
reover；youyjudgeitsfatnessandsoftnessbyitsforbutyouyappreciate
itseleganind
allthoseenandthe
persistenanchu
eerorkanghsitostopfootbindingangthechinesehinafew
years；andnchugirlsitatingchinesegirlsinthisfashionuntil
eerorthersedtheirgirls
togroarryintogoodhoshadtobindtheirfeetyoungasa
asureofparentalforesight；andabrideallfeethada
feelinganalogoustofilialgratitudefoexttoagoodface；aanwas
ieasurablyproudofhersllfeet；asdeenareproudoftheirsll
ankles；forthesefeetgaveheraniediatedistinctioninanysocial
ytiindsandnsiderable
influencebutthecustossionariesledthe
crusade；adebtforenoughttobegratefulbutinthisthe
ssionarieshavebeenfortunatelyhelpedbytheforstances；forchinese
enhavefoundinthedehighheeledshoesatolerablesubstitutethey
enhanincinggaitandcreatetheillusionthatthe
feetaresllerthantheyreallyareliliioninhisessays
ontheartoflivingisstilltrue：”ihaveseenfeetofthreeincheshoutheeledshoes
andfeetoffourorfiveineplace；andfeltthat
thethreeinchfeetarebiggerthanthefourorfiveinchfeetbecausehheels；the
toespointdopointed；houtheels；thejade
baooshootsthetoesrisetoedfeetlookflat”such
profoundobservationonthedetailsofanidlelifeisaleristifthe
chinesegenius
viiiencipation
theseclusionofenhasnohasgonesofastthatpeoplechina
tenyearsagofind；oningback；achangeintheental
outlookofostprofoundnviperant；grace；bearingandspiritof
independenode”girlsoftenortyriadinfluences
areataybecalledthee
influences
speonarittingsexual
equality；therenaissancestartedin191617；headedbydrhushihandchentuhsiu；
denounand
thedoublesexstandard；theyfourthventorstudentventof1919；
broughtaboutbythesecretsellingofchinabythealliesattheversaillesnference；
andprecipitatingtheactiveparttakeninpoliticsbyboy
viifootbinding
thenatureandoriginoffootbindinghasbeengreatlysunderstoodsohohas
stoodasasyoloftheseclusionandsuppressionofen；andverysuitablyso
thegreatnfucianscholarghuhsiofthesungdynastyhusiasticin
introdueansofspreadingchineseculture
andteaenandenbutifithadbeenregardedonlyasa
syolofthesuppressionofen；thershavebeensoenthusiasticin
bindingthefeetoftheiryoungdaughtersactually；footbindings
naturethroughoutitsoriginedlyintheurtsoflicentiouskings；its
popularityenensfeetandshoesasa
lovefetishandonthefeninegaiturallyfollospopularityh
enensfavour
thetioforiginofthisinstitutionissubjecttodebate；e
unnecessary；sinceitorepropertospeakofits”evolution”theonly
properdefinitionoffootbindingisthebindingofthefeetbylongyardsofbinding
edtobefirstdefinitelyntioned
innnectionhnantanghouchu；inthefirstpartofthetenthcentury；orbefore
thesungdynastyyangkystillks；foroneofher
socks
………………………………
第55节
kedupbyherahandshoothepublicafterherdeath；atthe
adssionrateofahundredallfeet
andtheir”boeafashioninthetangdynastythecbowshoes；”
angalley；hebeginningsor
rudintaryforoffootbindingthesehedancinggirlsoftheurt；
andinthisluxuriousatsphereoffeledancingandurtperfuandbeaded
curtainsandrareincense；itindshouldhaveappearedand
putthelastfinishingtouindbelonged
totherulerofnantangsouthetang；ashortliveddynasty；e
poetbesidesoneofhisgirlsadetodancehlighttiptoe
stepsonagoldenlilysixfeethigh；hungalloveritatedbythepublic；andtheboundfeet
to
passintopoetrythe”issignificant；foritsuggeststhevoluptuous
atsphereoftherichchinese；bershrareandfine
perfuoneshavebeenten
thatenode
attheexpenseofbodilyfortisnothingpeculiarlychineseaslateas1824；
englishgirlsothersbyfootandhand
osqueezetheirbodiesinsidethehesewhalebones
sthavegreatlyassistedtheeighteenthcenturyandearlynieenthcentury
europeaneninfaintingatthepropetenybefrailinchina；but
ithasneverbeenthefashiontofaintthetiptoedancingoftherussianballetisbut
anotherexaleofthebeautyofhuntortureaybehonouredhthe
naofanart
thesllfeetofenseyesbutinastrange
andsubtleen；
throeodehighheeledshoes；and
effeing”alloverandreadytofall
attheslightesttouchlookingataanhboundfeet
aropedancer；tantalizingtothehighestdegreetheboundfootisindeedthehighest
sophistiagination
then；entirelyapartfrohefeninegait；nhadetoh
andadreandsingaboutthesllfeetasalovefetishfrooshoes
portantplaceinallsensualpoetrythecultofthe”goldenlily”
belongedundoubtedlytotherealfsexualpsyuchartistic
finesseheappreciationofdifferenttypesofboundfeetaswasever
expendedoverthebersthatreallysll
andhanteninacity；itiseasytounderstand
hoenuldbevedbythestheyghtbevedbyexquisitepoetryfang
hsienofthenchudynastyeanentirebookdevotedtothisart；classifyingthe
boundfeetintofiveindivisionsandeighteentypesreover；aboundfootshould
beafat；bsoftandgelegant；sosaysfang：
1afashionjoualofthetisays：”heneays；theyounglady
shouldhefaothershouldplaceher
footinthesllofherdaughtersbackinordertoobtaingoodpurchasethereshould
bethennodifficultyinkingthestayset”
thinfeetareld；andscularfeetarehardsuchfeetareincurablyvulgarhence
fatfeetarefullandsothtothetouch；softfeetaregentleandpleasingtotheeye；
andelegantfeetarerefinedandbeautifulbutfatnessdoesnotdependo